If you’ve been producing music for a while, you probably know that a lot of the commercial guitar VSTs or libraries out there are pretty expensive and not always easy to use. Although I own a few commercial guitar libraries, I also wanted to see what free guitar VSTs and sample libraries are available these days. I have to admit I was surprised by the number of interesting instruments I found. So, I’ve put together this list to talk about the best ones.
For this article, I looked at both acoustic and electric guitars but left out guitar amps and other effect plugins (I will cover these in an upcoming article).
Format: AU, VST, AAX, RTAS / 32 bit + 62 bit
OS: Mac, Windows
Discover, download and learn how to use the most popular paid vst and au plugins on Splice.
Audio examples:
Ample Sound is a Beijing-based company that has been creating guitar and bass VSTs since 2011. The Ample Guitar M II series aims “to bring the Martin D-41 Acoustic Guitar sound to your studio.” Luckily for us, the company also released a free lite version of the instrument, which comes with a reduced sample rate, fewer articulations and features and a lower sample count than the original (by now, version III has been released already).
This doesn’t prevent Ample Guitar M II Lite from being the best sounding (non-Kontakt) acoustic guitar in this list, though. The samples sound full and lively and can be triggered directly through MIDI (or your DAW) as well as through a built-in sequencer, the “strummer.”
The strummer makes it super easy to build patterns out of single notes, up and down strokes and mutes. Additionally, there are a bunch of effects and features available to change the tone. One of my favorite features is the doubling switch, which adds width to the instrument in an instant.
Another particular useful feature of Ample Guitar M II Lite is that it shows you which string corresponds to the note you’re playing. This quickly helped me create more realistic arpeggios.
If you also use Guitar Pro Tab, you can even import your tabs into Ample Guitar M II Lite. Note that you are limited to the first four frets of each string when you’re using the lite version.
There are so many fully functioning knobs and switches in this free plugin that I didn’t manage to get to all of them in my 45 minutes of playing around with it. What more can you ask for in a free guitar?
You can get Ample Guitar M II Lite on the Ample Sound website.
This is a quick introduction to the instrument:
Format: AU, VST / 32 bit + 64 bit
OS: Mac, Windows
Audio examples:
This guitar VST has gotten a lot of attention lately, especially since the release of LifeStyleDidIt’s video “I FOUND THE BEST FREE GUITAR VST” (see below). DSK Music is a project by a Spaniard named Víctor who has been making hundreds of free virtual instruments since 2002.
DynamicGuitars contains three different instruments: an acoustic guitar, a nylonguitar and a steel guitar. It also offers control over the envelope of thesamples as well as the dynamic range and the voice mode (poly, mono, legato). All the included guitars feel smooth, warm andthick but could use a little EQ action for clarity.
In this video, you can see the plugin in use:
You can download DSK Dynamic Guitars here.
Pettinhouse is a project by Andrea Pettinao. The company sells a wide variety of guitars and also offers a handful of free guitar sample libraries. Let’s take a look at them!
Format: Kontakt 3 and higher (full version required!)
Audio examples:
Free AcousticGuitar is a simple but well-recorded and programmed acoustic guitar Kontakt library. The samples are loaded as a multi and are separated into attack+ sustain, releases and fret noise sounds and come in different velocities. The samples are well mixed and sound wonderfully natural.
Format: Kontakt 5 and higher (full version required!)
Audio examples:
When you open the free version of Pettinhouse’s Classic Guitar, you’re getting a multi consisting of two instruments: classic guitar and noises. These work well together and offer a realistic and nice warm sound.
Format: Kontakt 5 and higher (full version required!)
Audio examples:
Yummy Beats is a platform for drums, loops and Kontakt instruments. You can also find a few free instruments on this site, including the free Modest Guitar. This Kontakt library delivers a present sound with round robin and three articulations: acoustic guitar, flageolets and fx guitar. Unfortunately, I found that the fx guitar produced noticeable crackle sounds (might have been my setup!). However, my favorite part is the flageolets with their well-rounded tone, anyway.
I found the steps to get Modest Guitar a little complicated. You have to open a Yummy Beats account, go to this page and enter the unlock code that you find here. If you’re looking for a free, quality flageolet sound, this is a good instrument to try out, though.
Here’s an example of a song that uses Modest Guitar (from the Yummy Beats YouTube channel):
Didn’t find what you were looking for? Here are some more acoustic guitar libraries:
Now, let’s talk about electric guitars.
Format: VST2, VST3, AAX, AU; 32 bit + 64 bi t
OS: Windows, Mac
Audio examples:
Looking for a smooth moody guitar that fits into an ambient track or your next film score? Peel Guitar might be it! Originally, the guitar was sampled by Christian Henson in 2006 and, according to him, was used all over his scores. The instrument consists of three presets that differ slightly in guitar tone. Each guitar feels soft and comes with a long release, which adds to the atmosphere of the instrument. The minimalist interface offers control over the volume, velocity, reverb and “tightness” of the sound. To get Peel Guitar, you will need to install Spitfire Labs first (also free).
Format: VST, 32 bit + 64 bit
OS: Windows
Audio examples:
The following examples were created with Lethality and Guitar Rig 5:
Lethality was released in 2014 by Iridium Iris. The developer’s website has been down for a while, so it’s not clear if they’re still working on new instruments. However, Lethality is one of their products that you can still come across today.
I wasactually quite surprised to see how many functions are built into Lethality.Besides “regular” single notes, the plugin also has open string and mutedstring articulations. Additionally, you can switch on hammer-ons, pull-offs andportamento articulations, which can be triggered by playing legato notes.
To find theright articulation on your MIDI keyboard, you can take a look in the manualthat comes with the instrument. When you’re as used to Kontakt as I am, it’s alittle inconvenient that the keyboard layout (including articulation zones andkeyswitches) is not displayed visually in the plugin. This means that you’llhave to remember the keyswitches and articulations you’ll need when playing.
If you’renot sure how to program your guitar, you can use the built-in riff patterns.They can be activated directly from the plugin or exported as MIDI clips intoyour DAW of choice. Truthfully, though, it makes more sense to program your ownMIDI clips, if only to create a more dynamic guitar part.
Although Lethality offers a distortion function, to get a good sound you will most likely want to use an external amp simulation or other effects on this instrument.
As the official developer website is down, you can get Lethality here.
Format: Kontakt 5.7 or higher (full version required!)
Audio examples:

The Shreddage series by Impact Soundworks has been the go-to place for affordable guitar sample libraries for years. Recently, the company made a very generous gift to composers when it released a free version of its Shreddage 3 Stratus guitar. Compared to the commercial version, the free version only offers neck pickup (instead of neck, middle and bridge), 12 frets (instead of 24), a reduced range and fewer articulations. However, this shouldn’t stop you from creating great, realistic electric guitar parts with this library. Up to 24 samples per note, including sustain, palm mute and choke articulations make this an amazingly usable library that will fit into many productions.
Amazingly,the free version of Shreddage 3 Stratus also comes with full mix consolefunctionality. In the mix console you can add effects, whether that’s pedals,amps, cabinets or EQ. The included presets (called “snapshots” by ImpactSoundworks) sound instantly great and are compatible with other Shreddageinstruments (as long as they use the same console). This is definitely the bestand most versatile free electric guitar on the market right now – so if youhave a full version of Kontakt, don’t miss out on this one.
Check outthe following video for an overview on how to use Stratus Free:
Get Impact Soundworks Stratus Free here (you will need to get a free account to download the instrument).
Just as Pettinhouseoffers a few great acoustic guitar libraries, it has also released a fewinteresting electric guitars:
Format: Kontakt 5 and higher (full version required!)
Audio examples:
The following examples were created with DirectGuitar and Guitar Rig 5:
Using this direct guitar library by Pettinhouse gives you maximum flexibility for sculpting your own tone. It comes with a range of four octaves and also includes a few effects (open the “strum” and “layers” instruments to find out where they are located on the keyboard). Amp and effects are not part of the instrument, so you will need to add one yourself. I used Guitar Rig 5 for the audio examples.
Format: Kontakt 3 and higher (full version required!)
Audio examples:
Mute&Slap is a very specialized instrument: The articulations range from mute tones in the lower velocities to slap notes in the higher velocities and are great for adding some funky notes to your beats and songs. While Free Mute&Slap also contains a couple of effects and amp choices, it might be worthwhile trying out a few different amp simulations with this to have more control over the tone.
Here’s avideo review for Mute&Slap:
Free vst plugins 2016. Format: Kontakt 3 and higher (full version required!)
Audio examples:
Need more funk in your music? Check out Pettinhouse’s Free FunkyGuitar. Besides regular plucked string sounds, this library also contains strum loops and muted strum loops. These are especially convenient (programming funk guitar rhythms manually is hell) and can be tempo-synced to the host or adjusted manually (in a range of 85 bpm – 130 bpm). The library comes with a built-in reverb, delay and phaser and a selection of amps. The guide tab will help you find your way around this instrument quickly.
Format: Kontakt 3 and higher (full version required!)
Audio examples:
When I was researching for this article and came across WarmJazz, a realization hit me: There are barely any jazz guitar sample libraries on the market. Apart from the occasional funk library, most current guitar libraries and VSTs are oriented towards rock, metal and blues. If you’re looking for a jazzier sound, though, you should check out WarmJazz by Pettinhouse. In its free version, it comes with seven presets and a range of effects (chorus, reverb, delay, compressor). The quality of the sound is indeed warm and jazzy and hard to re-create with any other library.
Format: SFZ, Kontakt 5 and higher (full version required!)
The next three examples use Guitar Rig 5:
Cute Emily Guitar is originally a project by Karoryfer Samples and was first published in 2014. To quote the creator:
“There area lot of guitar samples out there intended for lots of styles of musicguitarists like, from Latin jazz to metalcore, but this library is for musicguitarists really hate, from hip-hop to EDM. It’s designed to be easy to usefor producers who don’t necessarily know a lot about guitars and don’t need awhole lot of different articulations, control over left-hand position, note offgroups, etc. Instead of all that you get a fat, percussive sound that’s greatfor crisp rhythms.”
Indeed, the instrument, which is a sampled Epiphone Emily the Strange, has a very pronounced, percussive attack. As the samples were recorded directly, it makes sense to run them through an amp simulator of some sort (I used Guitar Rig 5 for my tests).
You have the choice between two versions of this instrument: The original Karoryfer Samples version in SFZ soundfont format or a Kontakt version by Bigcat Instruments. The Kontakt version includes various effects, such as a phaser, chorus, reverb, delay, compressor, distortion and EQ. You can also add tremolo and adjust the velocity curve, as well as the attack and release.
Looking formore options? Check out the following instruments:
Do you have any other favorites that you didn’t see included on this page? Let us know in the comments!
A good spectrum analyzer plug-in is essential for letting you know what is going on with your audio.
Even if you have a good monitoring system in your studio, a spectrum analyzer will help you identify potential problem areas in your mix.
Here, we run down some of the best spectrum analyzer VSTs available, giving you a range of potentially useful options.
Other Helpful Posts:
iZotope’s aptly-named Insight gives you a broad overview of the spectral content of your audio while giving you the ability to get as detailed as you wish. It comes with plenty metering options to choose from, that can be customized as you fit, enabling you to use it for any type of session. Whether you simply want to check the spectral balance of your mix or you want to tweak the loudness or intelligibility of specific tracks.
Insight lets you visualize audio streams in ways that probably only a few spectrum analyzer plugins can. Unlike other plug-ins that force you into a specific way of working, Insight lets you customize the user interface according to your preferences or the demands of the session.
With Insight, you can choose to display only the meters that you need for any given situation. The interface is resizable as well, so you can keep it fairly compact when your screen gets too crowded. If you want to have visual access to more information, you could simply maximize the interface to occupy the full screen.
Of course, you have a great degree of control over viewing the display as well. You can adjust partition sizes however you want, and each meter even comes with dedicated display settings.
“Comprehensive” is one word that is commonly used to describe Insight. It gives users the flexibility to view data however they wish, with zooming, scaling, and even freezing options provided.
The option to choose between 2D and 3D spectrogram displays scored points among many users as well. For users that need the ability to change viewing modes for different projects, Insight stands apart from most other spectrum analyzer plug-ins.

iZotope’s Insight could very well handle all your spectrum analysis needs and then some. If flexibility and accuracy are your primary concerns–as they should be when shopping for a spectrum analyzer–you can’t go wrong with Insight.
NuGen’s Visualizer may not be a household name in the world of spectrum analyzer plug-ins, but that in no way indicates any shortcomings on its part. Just as capable as its more popular counterparts, it provides feature-packed tools for analyzing audio and enhancing workflow. Furthermore, Visualizer helps you recreate optimal mix settings and avoid frequently-repeated errors.
Visualizer provides a single-screen interface for viewing the frequency content of the audio material. The interface can be resized freely, taking up very little screen space or providing a comprehensive overview as needed. There are also many options to customize the display, and you could switch to any of several views simply by clicking a button.
But it’s what you can do within those views that matter the most. Visualizer has a useful comparison mode that let you view frequency content and other information from two audio channels in a few different ways. You have the option to view both audio tracks overlaid on top of each other, side-by-side, or in a differential display.
Other features–such as the stereo spectrogram, vectorscope, stereo bias meter, and peak hold control–give you a range of options by which to analyze your audio. You can even view frequencies by how they correlate to each other, making it easy for you to identify potential frequency overlaps.
Users of Visualizer have found numerous applications for the plug-in, particularly during the mixdown and mastering stages of production. One common application is the examination of the differences that a mastering chain imparts on a mix. The plug-in makes it possible to identify frequency clashes quickly, and the ability to customize the display makes audio analysis both easy and efficient.
NuGen Visualizer is a powerful and attractive-looking spectrum analyzer plug-in that can handle a multitude of audio-related tasks. It is a good deal more expensive than other plug-ins in its category, but the extra cost is justifiable given its versatility and range of features.
MeldaProduction is known for its high-value plug-ins that provide professional features at a reasonable price point. MMultiAnalyzer upholds the company’s reputation admirably, with a host of features that make it possible to analyze audio and deal with any issues easily and accurately.
With a selection of audio analysis and enhancement features, MMultiAnalyzer enables you to analyze multiple tracks simultaneously. Simply patch in an instance of the plug-in in each track that you want to analyze, and they will detect each other automatically. All data will then be available to all instances of the plug-in.
MMultiAnalyzer is more than just a spectrum analyzer plug-in. It also has a built-in sonogram, and collision detection, loudness comparison, and stereo analysis features. Even with all these features, the plug-in never gets too complicated to use. Whether you use it as a multi-track sonogram, a collision detector, or a stereo analyzer, the MMultiAnalyzer workflow is fast and intuitive.
MMultiAnalyzer also comes with features that make it easy to identify specific frequencies. These include normalization, super-resolution, and de-harmonization features, all of which help you pinpoint problem areas in your audio.
Like all MeldaProduction’s plug-ins, MMultiAnalyzer is customizable to a remarkable degree. The interface is freely resizable, and users have the option to display the controls as knobs, buttons, or sliders. Even with all the impressive technical features onboard, the plug-in’s customizability is what stands out the most among many users.
Of course, the aforementioned technical features are the main draw for professional users and serious hobbyists. The ‘smart’ metering is one of the most advanced of its kind, giving users the option to display frequency measurements in a variety of graphs and meters.
MMultiAnalyzer is one of the most versatile spectrum analyzer plug-ins around. It is absolutely flawless in terms of accuracy, and the degree to which you could customize the interface is a definite plus. Even with so many capable spectrum analyzer plug-ins available, this one stands apart from the rest.
Blue Cat’s Audio Analysis Pack gives you pretty much everything you need to analyze and measure the frequency content of audio in one convenient package. The pack contains a dazzling array of useful plug-ins, all of which are available individually as well. Among these are two frequency analysis plug-ins, both of which provide performance equal to that of dedicated spectrum analyzers. Furthermore, these plug-ins let you can control other plug-ins–and even MIDI instruments–with the resulting measurements.
Because this is a review of spectrum analyzer plug-ins, we will focus on those specific types of plug-ins in the pack.
First up is FreqAnalyst Multi, which provides a variety of spectrum analysis features for multiple tracks. Ideally-suited for mixing and mastering, it provides a detailed view of the frequency and time of several tracks simultaneously, all from a single screen. A useful and versatile mixing tool, it will also find plenty of use as a frequency overlap detector.
The second smartphone plug-in is FreqAnalyst Pro, which adds automation generation capabilities and a 3D viewer to the standard set of spectrum analysis features. Offering much of the same functionality as the free FreqAnalyst plug-in, it provides an extremely smooth and high-resolution view of frequency as well as time.
The individual plug-ins in the Audio Analysis Pack come with an impressive wealth of features that provide tremendous value. Most users seem sufficiently impressed with the amount of information provided, with the automation and MIDI capabilities simply being the icing on the cake. For many, the clever implementation of CC/automation generation features makes these tools so much more versatile than most standard spectrum analyzer plug-ins.
The overall value provided by the Audio Analysis Pack is pretty impressive. Even if you opt to purchase just the individual spectrum analyzer plug-ins, expect to get plenty of bang for the buck.
To describe Photosounder’s Spiral as a music analysis plug-in would be accurate–but it does underplay its capabilities a bit. Spiral certainly does a great job of revealing the frequency content of music, but its fresh and innovative approach to audio analysis places it so far ahead of other plug-ins that it is almost in an entirely different category.
Frequencies are displayed in a spiral (no surprise there), with a chromatic band encircling it. It is a simple enough concept to be sure, but the ability to see what is going on in your music quickly and intuitively is noteworthy. Spiral also provides many other features that give you a more detailed and informative view of your audio.
In the Spiral display, individual instruments have specific colors that represent their unique positions in the stereo mix. The plug-in also makes it possible to capture or record bits of audio into memory and play it back at slower speeds. This feature is helpful for identifying individual notes or deciphering chords.
You can even adjust the resolution at which stored audio plays back. You can lower the resolution for more precise time measurement for instance, or increase it when you need to analyze low-frequency instruments or complex chords.
Users found Spiral to be as useful as an audio analysis tool as a musical aid. The bright colors and stereo separation make it possible to identify tones and notes quickly and accurately.
As a learning tool, Spiral is pretty much incomparable in the world of spectrum analyzer plug-ins. Its ability to highlight specific sections of the audio, capture it, and play it back at slower speeds are features that simply don’t exist in any other spectrum analyzer plug-in.
Spiral probably isn’t the best choice for analyzing audio for mixing or mastering purposes. More a musical aid than a frequency analysis tool, it should nevertheless find a welcome place in your plug-in collection.
2nd Sense’s Audio Mixing Analyzer hides an impressive wealth of features in a simple and modernistic interface. Like the best spectrum analyzer plug-ins, it allows the real-time monitoring of multiple tracks of audio, with the data viewable from a single window. It also identifies instances where frequencies collide and mask each other. Whether you need to pinpoint problem frequencies in specific audio tracks or simply want to check your level balances, Audio Mixing Analyzer could be a useful tool.
Like other spectrum analyzer plug-ins that allow for the monitoring of multiple audio streams, Audio Mixing Analyzer is meant to be loaded onto each track to be analyzed. All tracks will then be visible on any instance of the plug-in, each in a different color. You can also label each track as you see fit.
A vertical line will pop up on the display if any frequencies clash or overlap. You can then instantly see where two or more parts are occupying the same frequency range. An included threshold knob lets you control how frequencies clashes are displayed, with shorter instances showing up as more pronounced movements of the indicator line.
A scrolling display below the spectrum display provides real-time information on the clashing frequencies, as well as the measure and beat position where they occur. There are also illuminating blocks to the left that indicate the presence of tracks with conflicting frequency content.
Audio Mixing Analyzer may be fairly simple, but users seem satisfied at the amount of information provided. By presenting data as text as well as visual form, users can identify frequency clashes easily, and quickly determine what steps to take to remedy potential issues.
Audio Mixing Analyzer isn’t the most fully-featured spectrum analyzer around. In fact, it is one of the simplest in this rundown, without a lot of esoteric display settings and customizability options onboard. Nevertheless, it is a capable enough analyzer for the most part, and it should find plenty of use in any studio.
Voxengo’s SPAN is something of a classic in the audio world, providing spectrum analysis capabilities equal to that of the best plug-ins. Remarkably, SPAN is free, which makes its professional features and capabilities even more impressive.
Even so, Voxengo saw fit to release an “extended” version of SPAN, dubbing it the SPAN Plus. Building on the already impressive features of its freeware predecessor, SPAN Plus added a static spectrum display option, PNG file export, and the ability to import and export spectrum data in real-time.
SPAN Plus has a new “mode” system that gives you the flexibility to set the display according to your preferences. This feature lets you view Fourier block size in samples, and lets you set the overlap percentage of the FFT window. You can also specify the visual slope of the spectrum, change how the secondary spectrum is displayed, and even smoothen out the spectral display as desired.
SPAN Plus makes it possible to perform a variety of analysis methods. You can compare the spectrums of different tracks at the same time, with unique colors for each channel.
SPAN Plus especially impresses users with its ability to perform multi-track comparisons from a single window. The ability to compare EQ curves pre- and post-mastering on the same graph makes it a flexible and useful tool for mixing and mastering.
It is interesting to note that many users find the free SPAN to be just as capable as the SPAN Plus for their needs. But that is more a testament to the excellence of the free plug-in than it is a criticism of SPAN Plus.
SPAN Plus is an excellent spectrum analyzer plug-in in more ways than one. Admittedly, you could get pretty much the same features in the free version of SPAN. But if the ability to compare the spectrums of two different audio sources at the same time is important to you, SPAN Plus is a no-brainer.
In an audio and musical context, spectral analysis is the process of measuring the frequency content of audio signals. Using a function known as “Fourier transform”, audio is broken down into its component frequencies and displayed on a screen.
Spectrum analyzers essentially provide visual representations of sound. They measure the frequencies of audio signals and display the results in a graph in real-time. The horizontal axis represents the pitch/frequency of the audio, while the vertical axis represents the amplitude. Pitch/frequency is measured in Hertz, and amplitude is measured in decibels.
By providing a visual representation of audio, spectrum analyzers make it easier to identify specific areas of the frequency range that may cause problems in the mix later on. When used in conjunction with standard audio monitoring, spectrum analyzers can enhance efficiency during the mixing and mastering processes.
The display is the most important part of a spectrum analyzer. This is where you can see the frequency content of your audio and how “hard” specific frequencies are hitting. You can then figure out which frequencies you will have to cut or boost to fix any problem.
The best spectrum analyzers give you more specific details on frequencies and levels when you place your cursor at certain points on the display. Some plug-ins even allow you to zoom in for a more accurate view of the levels.
Accuracy is, of course, one of the most important aspects of a spectrum analyzer. You will want to pay particular attention to this quality when comparing the different spectrum analyzer plug-ins available.
You should also look into the option to set the FFT block size a few different ways. This feature allows you to view frequencies at different resolutions, which could help you identify problem areas in specific frequency ranges.
One important thing to keep in mind is that spectrum analyzers can not–and should not–take the place of proper monitoring via speakers or headphones. By all means, use spectrum analyzer plug-ins for an added perspective while mixing or mastering. But don’t forget that what ultimately matters is how the music sounds–not how it looks.