- The Hora harmonic synthesizer is a Free windows VST of a synth voice that offers the same VCO than the Hora music pure VCO (VCV module) and the 'timbre VCF'.
- Best Free Synth Instrument VST. Welcome to the most popular category of this article. A good synth can make or break a song, and you’d be surprise how far a free synth can go. A great example is Synth1 by Daichi Labs. Artists such as Noisia have confessed to using it extensively and it sounds just amazing. Check for yourself.
- Steinberg VOICE MACHINE. STEINBERG VOICE MACHINE VST, VST-Plugin, Software-Effect, Voice Editing in Realtime. Steinberg Media Technologies AG today announced the Voice Machine, two new real-time voice effect tools for the VST PC and Mac platform.Voice Machine is the ultimate application for redesigning the voice.
- Category: Filters You can see a photo of Voice Trap v2.0 found to the left. About: Voice Trap allows you to remove or isolate a vocal from an audio track. Traditionally you can remove the vocal from a stereo track by subtracting the left channel from the right but generally you only got mono output, the bass was missing, the mix sounded terrible, and you could only remove the vocal, not.
- Hello everyone!This video officially announces the release of my first audio plugin: Virgin Choir. The video demonstrates how this plugin sounds without any.
- Alter Ego is a vocal synthesizer. It is specially tailored for musical needs – simply type in your lyrics, and then play on your MIDI keyboard. It’s a true synthesizer, the sound can be extensively modified for easy and expressive performances. Voice banks come in various styles and licenses. Daisy is the first free.
Download Alter/Ego (Vocal Synth) Windows/VST (32/64)/RTAS(32) - Mac/AudioUnit (32/64) /VST (32/64)/AAX(64) Alter/Ego is based on the award winning technology featured in chipspeech but instead of targeting Vintage voice.
Top 10 Weirdest VST Plugins 2019
Each family as well as each group of friends has that one weird guy doing some rather ubiquitous things which are straight up weird and that’s the case with plugin developers. We all have that one plugin that we load up when we’re in need of something extraordinary or simply crazy. What does it take to be on our list of weird plugins? We either judge the straight-up weirdness of the GUI or the sound shaping capabilities. Let’s just simply jump into the craziness, here is our top 10 list of weird VST plugins in no particular order.
1 Glitch 2 by Illformed
This is technically a step sequencer but what’s unique about it is the fact that it doesn’t trigger sampled sounds. Instead it triggers FX. This is a Swiss army knife for slicing, dicing, screwing, twisting, turning and mangling your sounds. There’s a whole bunch of FXs here such as randomizer, modulator, tape stop, retrigger, reverser, stretcher, LoFi, distortion, gater and delay.
Since Glitch features a multi-lane editor, you can trigger and tweak these effects in real-time. The Mutate function is our favourite because it really randomizes each effect into something completely unexpected. Weirdly enough you can get some really inspiring and awesome results. For 50 EUR you’re getting a lot of fun here.
2 Frohmage by Ohmforce
The name itself sounds cheesy! But aside from the name the UI itself is all cheesy and weird looking. If you disregard all of this you’re getting a really decent resonant filter. It’s designed to be dirty, warm and can add some serious colour to your signal. Frohmage features a low-pass filter, multiple band-pass filter and a distortion stage and it can really transform your tracks.
The EVOLVE knob uses multiple pitch-shifting delays for each band of the multi band-pass filters and it creates some out-of-this-world effects. You can even map your MIDI controls to this plugin to control all of the effects in real-time like on a synth. If you’re feeling cheesy, this one’s for you and it’s a freebie by the way.
3 The Orb by Audiothing
This is a formant filter which simulates the characteristics of the human voice. Featuring a set of three band pass filters, The Orb can transform any sound into a vowel-like formant-filtered sound. With the three LFOs you can modulate the Vowel, the Emphasis/Resonance of the formants and the Drift which can shift up or down the frequencies of each formant.
You can also create your own set of vowels by changing the name and frequency for each vowel/formant. Oh and it also looks like a control panel of a submarine or something from the cold war era, so it’s cool to look at as well. It’s 50 EUR so give it a go if you please.
4 Ned Flangers by Killapluggies
Alter Ego Vst Free
Even though this is a straight-up simple flanger, they got us with the name here. Just for the name itself you need to take a look at this one. It’s 32-bit Windows only but has some dirty raw sound which many modern digital flangers don’t have.
The GUI has four simple knobs for control and features Ned Flanders dressed as the Devil. Have we mentioned it is free? Go get it!
5 Delay Lama by AudioNerdz
Vocal Synthesizer Free
This is the first VST instrument which features vocal synthesis with a real-time animated 3D interface. What it does is that it enables you to make a Tibetan monk overtone sounds simply by playing one note due to its monophonic structure.
Use the built-in XY pad to adjust the pitch of the sound and go through the vowels. It features a simple stereo delay to add some depth to the sound. This a ridiculously funny instrument in the best way. It’s free, so you don’t have an excuse for not at least trying it.
6 Meow Synth by Meowizer
Here’s something for all of you cat-lovers out there. The sounds of this synth are actually based on a real cat owned by the developer. It’s a freebie and it’s actually nice for creating some weird sounds. It features a single oscillator which is basically a cat meowing and it has an auto filter.
Strangely enough it’s velocity sensitive and it has monophonic and polyphonic modes. Meowizer also features a built-in chorus and tempo-synced vibrato with controlled attack.
7 Physion by Eventide
It was formerly known as Fission, but the guys from Eventide decided to change it for some reason. This is a structural effect that breaks-up a signal source (or a sound) into its basic components and then processes them individually, only to combine them back together again. It separates the transients and tonal elements in order to individually process them.
It features six transient effects and seven tonal effects and it can really alter the sound in unimaginable ways. You can totally change a drum sound by processing the resonant pitch without affecting the transient pitch and it can adjust the impact of a pick on a guitar string. Physion also features reverb, delay, chorus, phaser and tremolo for adding depth so it’s more than just a transient and tonal shaper. Bearing in mind the price tag of $179, it’s a good thing they offer a time-limited test version.
8 Cannabis Vocoder by Bitsonic
We simply had to feature this one! This one covers everything a weird plugin should have. A weirdly looking interface is absolutely matched by the sound shaping capabilities.
Cannabis vocoder is a funny plugin which can completely change the sound of your vocal track. The mono version is an effect plugin and by using the effect on the vocal track the software automatically tracks the tune of the vocal track and calculates the pitch of the changed sound as well. The poly version is a VST instrument application so you can load the vocal track into the software and by playing your midi keyboard you can create a polyphonic vocoder effect. Real cannabis is often not free and it will get you into a lot of trouble with the authorities, but this plugin version won’t. 🙂
9 Backsmack by Freakshow Industries
Okay, so this one REALLY wins on all fronts! It looks like it’s out of this world and sounds like it too. This is how Freakshow Industries describe it:
“A chaotic reverser plugin built to make mom proud. Backsmack uses government approved paradox processing technologies to expose the hidden terrors of music. Uncover the plots of ghosts, aliens and other rogue entities with Freakshow Industries Backsmack”.
This is how we describe it: ABSOLUTELY MENTAL. In the best possible way. This one is our favourite of the bunch. For 20 bucks it’s a no-brainer too.
Alter Ego Vst Plugin
10 Triple Cheese by U-He
This one is similar to a lot of synth plugins out there but it goes through a lot of short chromatic delays in order to create some rather strange sounds. With a massive set of features in its interface and a giant host of presets, this comb synthesizer should keep you busy for a few hours… or weeks. Depending on your synth addictiveness, it’s a cheesy synth to say the least.
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Oatmeal is a two-oscillator subtractive synth.
Features
Two oscillators:
- Waveform: sine, sawtooth, pulse (square), triangle, user, and “user PWM”.
- Amp: Amplitude of the oscillator.
- Tpitch (aftertouch > pitch): The effect of note velocity and later pressure changes on the oscillator’s pitch.
- Pulsewidth, PWM rate, PWM depth. These are ignored unless the waveform is “pulse” or “user PWM”, in which case they set the base pulsewidth and the modulation rate and depth.
- Trans (transpose): Transposition of the second oscillator relative to the first (i.e. the voice’s pitch).
- Detune: Constant frequency shift of the second oscillator.
- Touch (aftertouch > osc amp): The effect of note velocity and pressure changes on both oscillators’ amplitude.
Noise (white or bandpassed):
- Amp: Noise amplitude.
- Touch: The effect of note velocity and pressure changes on the noise level.
- Resonance: If this is 0, unfiltered white noise is generated. Higher values increase the resonance of the bandpass filter, making the output purer.
- Transpose: Transposition of the filter’s center frequency relative to the note.
Filter:
- Filter type.
- Double (filter doubling): If this is enabled, two copies of the filter are run in parallel. See the “split”, “mix”, and “speed ratio” parameters.
- Cutoff: Cutoff or center frequency of the filter.
- Track (keytracking): In octaves/octave: if it is 1, an increase in the voice’s pitch of one octave will cause the cutoff to increase by the same amount.
- Reso (resonance): Resonance of the filter (if applicable).
- Split: If doubling is on, the second filter’s cutoff frequency will be this much higher than the first’s.
- Mix: If doubling is on, this changes the output amplitude ratio between the two filters.
- Touch (aftertouch > cutoff): The effect of note velocity and pressure changes on both filters’ cutoff frequencies.
- Mod (envelope modulation): Strength and direction of the filter envelope’s effect.
- Velocity: Effect of note velocity on the envelope modulation depth, not on the filter cutoff itself.
- Filter envelope: For details, see the envelope block below.
- Speed ratio: If doubling is on, the second filter’s envelope will move at this rate relative to the first’s.
Envelope:
- Attack: The time it takes for the level to reach 1.
- Hold: After reaching 1, the level stays there for this long.
- Decay 1: The time it takes for the level to reach the breakpoint; however, if the breakpoint is set to 1 (0 dB), this is skipped.
- Breakpoint: The point reached after the first decay phase (see just above to see what happens if you set this to 0 dB); immediately followed by
- Decay 2: The time taken for the level to change from the breakpoint to the sustain level.
- Sustain: Sustain level.
- Release: Release time.
Distortion:
- Type: Hard clip, soft clip (tanh), sine (which can produce fm-like timbres or, failing that, horrible noise), or asymmetric.
- Mode: This sets where the distortion is applied:
Global: i.e. once, after summing all the voices.
Per voice: after the filter.
Per voice: before the filter.
Double: i.e. per voice before the filter and then again after summing the voices. - Oversample: Oversamples the distortion to reduce aliasing.
- Pregain.
- Limit: The level at which the signal is clipped (or the amplitude of the sine).
- Postgain: In double mode, this is not applied to the per-voice distortion.
Chorus:
- Mode: Sine, Ramp, and FM are essentially the same thing with different LFO shapes. Irregular is a bit different: the delay times of the voices vary randomly within the given range.